As far as creatives go, I'm a little bit different. I started my career over twenty years ago in digital & design and then made the move to groundbreaking, channel agnostic creative agencies like Ogilvy, Cossette, TAXI & john st.

This unique combination of skills, as well as an appetite for learning new disciplines has allowed me to transition easily between clients, departments and projects. It’s also shaped me into a multi-hyphenate creative who thinks in problems and solutions over words and pictures.

My work has been recognized at Cannes, ADC, One Show, Cassies, ADCC, Marketing, Coupe and Applied Arts. I've been featured in Lüzers Archive, Fast Company, Wired and Devour. In my more formative ad years, I was lucky enough to be a finalist at Young Guns, plus took home a gold at the National Advertising Awards.  

While VP, Executive Creative Director at Mosaic North America, I led a team of over twenty divergent creatives as we evolved experiential into a powerful medium to build brands in dimension. Under my leadership, the agency jumped 75 spots in Strategy Magazine's Creative Report Card, was shortlisted as Agency of the Year and won its first Cannes Lion.

I have guest lectured at the Miami Ad School, sat on panels at Brain Station and Humber College and have juried The ACE Awards, Marketing Awards, Effies, CMAs, Shots and the Cannes Young Lions to name
a few. I am also honoured to be part of Labatt AB InBev’s 2023 Creative Council.

Ask anyone and they’ll tell you I have an affinity for shoulder pads, a shoe collection that rivals Imelda's, and a love of Nicholas Cage that surpasses both. 

While currently a free agent, splitting my time between my burgeoning tomato crop and working freelance to help agencies big and small make work that defies conventions and cultural clichés, prior to that I was the Group Creative Director at Performance Art, an internationally awarded creative-data agency. There, I harvested a different crop of digitally-led platforms with the sole purpose of ensuring clients never have to compromise between work that works and work that’s the epitome of craft.